Labor Day Weekend, September 2 to 5, 2022
Here's the overall schedule and workshop descriptions. Cy Lodge Fireplace Room is also often available for jam sessions, or ad-hoc camper led workshops. We also have this printable version of the schedule.
Where is everything? See the camp map.
| Row | When | Who | Where | Title | Description |
|---|---|---|---|---|---|
| Sat 09:00 | Gene | DANCE HALL | She Favorites: Brilliant New Dances by American Women | There has been a blossoming of talent among women across the United States who have been
enjoying English country dancing for many years and have begun creating
their own work. Their dances embody the best of the English tradition
combined with the American penchant for flowing movement, partner
interaction, and music uniquely suited to the dance. We'll enjoy
dances that are challenging and simple, lively and stately, by a number of
these artists. | |
| Sat 09:00 | Betsy | LAUREL LODGE | English Jam | We'll play through our favorite tunes together, while relishing the connection that playing live tunes together can bring. Bring suggestions, and we'll rotate to make sure everyone gets a chance to suggest some. Sheet music welcome, but this is also a good opportunity to challenge yourself to play these tunes by ear.
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| Sat 10:30 | Melissa | DANCE HALL | Melissa's Dances | Melissa has been writing tunes since she found herself humming things around the house one day and realized it wasn't a tune she already knew. Some of them wanted to be English country dances, too, so she started writing those as well. This session will highlight a few of her own tunes and some from Dave Wiesler, with varying (but generally rising) levels of complexity.
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| Sat 10:30 | Rachel | LAUREL LODGE | Tunes from central France | Rachel will give a brief introduction to the types of tunes from Central France that are most commonly found in the bal folk repertoire, such as bourree, mazurka, and Scottish. Come with your instruments in hand to learn one or two of these tunes and explore possibilities for harmonies, backup grooves, and stylistic considerations. Tunes will be taught by ear, but sheet music will be available later in the workshop for reference. We'll have fun thinking about how to best make each tune danceable and how to create variety in the energy.
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| Sat 13:15 | Melissa | DANCE HALL | Dances outside the Box | Most of the English country dances we do are based around the “box” two pairs of dancers make within a longways line. In this session, we’ll explore regions “outside” that box, looking at dances with figures that break or transcend the box, or that just have no boxiness whatsoever. We’ll also look outside of the “box” of our own expectations, for dances that surprise us in ways other than geometric.
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| Sat 13:15 | Betsy | LAUREL LODGE | Playing Harmony for ECD | I'll give you some tools for creating harmonies to use in ECD. These will include skills to create harmonies ahead of time as well as making up harmonies on the fly. We'll work with a few common ECD tunes. Feel free to bring tunes to the workshop that you find tricky to harmonize.
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| Sat 14:45 | Gene | DANCE HALL | Music Made Visible - How Varied Sources, Styles, and Structure of English Country Dance Music Inform Movement. In 2 sessions | George
Balanchine, among others including Imogen Holst, noted that “dance is music
made visible.” The music of England's social/folk dance tradition is unusual
in its embrace of a wide variety of musical forms and styles. Considering
rhythmic structure alone, these include “duple” meter jigs, reels, hornpipes
and marches; “triple” meter minuets, waltzes of several varieties, and slip
jigs; and some eccentric forms that are “none of the above.” Sources and
styles include Renaissance dance music, baroque theater music, classical-era
sonatas, traditional songs, modern waltzes, and much more. We’ll explore how
the best choreographers have incorporated these disparate elements in unique
ways to make each visible and to enthrall the dancers. Each session is
independent of the other.
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| Sat 14:45 | Jim | LAUREL LODGE | Breton dance tunes | Come enter the wonderful world of the dance music of Brittany. Using a combination of play-along memorization and written music, we’ll explore around a half dozen types of Breton dance tunes. This is a drone-based tradition, but I’ll also demonstrate some chording ideas. All instruments welcome.
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| Sat 16:00 | Betsy | DANCE HALL | Open Band Waltzing | This session is open to all dancers and musicians who either want to play or dance waltzes (or some of both!). I'll be on mic and through a monitor to help hold us all together. Bring your Waltz Books, and if you have special waltz requests that are not in those books, bring copies to share. Suggestions welcome from both musicians AND dancers.
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| Sat 16:00 | Jonathan | LAUREL LODGE | American Songbook | Lead, perform or sing along on classic songs from Tin Pan Alley, Hollywood and Broadway, accompanied by Songbook enthusiast Jonathan Jensen. Lyric sheets will be provided.
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| Sun 09:45 | Melissa | DANCE HALL | English Breakfast | Something savory, something sweet, something brisk and bracing—come dig into a smorgasbord of English country dance as we enjoy a moving “second breakfast."" We’ll have old favorites and new, simple fare and chewier morsels, engaging for feet and ears and minds.
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| Sun 09:45 | Shira | LAUREL LODGE | Singing English Country Dances | Bring your voices and instruments for this musical romp through selections of English Country Dance Songs. The styles include madrigals, ballads, sea shanties and rounds. A banquet of words!
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| Sun 11:00 | Gene | DANCE HALL | Music Made Visible - Session 2 | See Saturday @ 14:45 pm
description. Each session is independent of the other. | |
| Sun 11:00 | Eric | LAUREL LODGE | Off the Dots | Experiment with increasing freedom of
expression, communication and improvisation while decreasing reliance on
written ECD music!
| |
| Sun 13:30 | Gene | DANCE HALL | Trickster Mad Robin Goodfellow and His Friends | The signature
figure from the English country dance "Mad Robin" first published in
Playford's "Dancing master" in 1687 has inspired choreographers to include
it or a variant in a number of new English and contra dances. We'll do a
selection of both! | |
| Sun 13:30 | Melissa | LAUREL LODGE | Troubleshooting Positional Calling | Are you working on positional calling but have trouble figuring out how to call some figures? This is the place for you! I'll bring some ideas, you'll bring some ideas, we'll brainstorm some options and think together about ways to think about figures.
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| Sun 14:45 | Melissa | DANCE HALL | Early Music in ECD | Medieval, Renaissance, and early baroque
music has been used for this kind of dancing, well, since Playford times.
But there's been an upsurge of interest in more recent decades in these very
old tunes, whether it's in reconstructing their original dances or in
adapting them for contemporary choreographies. This session will feature old
and new choreographies to some very old tunes.
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| Sun 14:45 | Gene | LAUREL LODGE | Music Considerations Around Programming | Programming for
English is tricky business. Not only do you need to think about
choreographies, but you also need to weigh musical choices, not just for the
benefit of the dancers, but for the band, too. As a musician and caller,
Gene has experienced life on both sides and will share insights into
creating programs that meet the needs of those on the floor, and on stage. | |
| Sun 16:00 | Rachael | DANCE HALL | Bal Folk Dancing | Dances from France are nearly as diverse as French cheeses, coming in a range of meters and feels, informed by the danse terroir of each region. There’s the energetic bourrée of Central France, the beautiful gavotte de l’Aven and the trance- like an dro from Brittany. Rachel will present a few of her favorites, giving newcomers and experienced dancers alike a chance to leave behind the Northwest for an hour to be transported to France through these gorgeous tunes and dances. | |
| Sun 16:00 | Karen | LAUREL LODGE | Comedy Improv | This class is open to everyone who wants to add a
bit of fun and humor into their day. No experience necessary. And you don't
even have to be funny. We will play a bunch of theatre games, and we will
aim to quiet our internal self-critical voice.
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